Linton- Life in the Collections
- 1) Alexander Roob IV Reception
- 2) William Abercrombie (with the support of William Harcourt Hooper): A Scrapbook on Wood Engraving. Ashton upon Mersey, 1880 â?? 1899
- 3) George Somes Layard: Mrs. Lynn Linton Her Life Letters & Opinions. London 1901
- 4) The Brothers Dalziel: A Record of Fifty Years' Work in conjunction with many of the most distinguished artists of the period 1840-1890. London 1901
- 5) Max Osborn: Der Holzschnitt. Bielefeld / Leipzig 1905
- 6) Walter Crane: An Artist's Reminiscences. New York 1907
- 7) Arthur Hayden: Chats on old prints. London 1906 / 1909
- 8) Richard Garnett: The Life of W.J. Fox, Public Teacher & Reformer 1786-1864. London 1910
- 9) Frank Weitenkampf: American Graphic Art. New York 1912
- 10) Max Beer: Geschichte des Sozialismus in England. Stuttgart 1913
- 11) Henry Wolf: Album. New York, ca. 1880 - 1916
- 12) A.V.S. Anthony, Timothy Cole and Elbridge Kingsley: Wood-Engraving. Three Essays by Three Engravers. New York 1916
- 13) Eduard Bernstein: Sozialismus und Demokratie in der groÃ?en englischen Revolution. Stuttgart Stuttgart 1919
- 14) Paul Westheim: Das Holzschnittbuch. Potsdam 1921
- 15) Wassili Nikolajewitsch Masjutin: Thomas Bewick. Sein Leben und sein Werk. Eine Untersuchung über die technischen Grundlagen des Holzschnittes nebst einer kritischen Würdigung des Schaffens Th. Bewicks. Berlin 1923
- 16) Douglas Percy Bliss: A History of Wood Engraving. London 1928
- 17) Will Ransom: Private Presses and their Books. New York 1929
- 18) Ralph Clifton Smith: Gustav Kruell. American Portrait Engraver On Wood. New York 1929
- 19) William Fowler Hopson: Side Lights on William James Linton, 1812-97 (reprinted for private circulation from the Papers of the Bibliographical Society of America. Vol. XXVII). New York 1933
- 20) Alphaeus Cole and Margaret Ward Cole: Timothy Cole. Wood-Engraver. Boston / New York 1935
- 21) William M. Ivins: How Prints Look. Photographs with A Commentary. New York 1943
- 22) Francis Edward Mineka: The Dissidence of Dissent. The Monthly Repository 1806- 1838. Chapel Hill 1944
- 23) Carl Purington Rollins: Souvenirs of my inky past. Remarks by C.P. Rollins at the opening of an exhibition of his printing at the Grolier club. April 19, 1949. New York 1950
- 24) William M. Ivins: Prints and Visual Communication. Chicago 1953
- 25) David V. Erdman: Blake. Prophet against Empire. Princeton 1954
- 26) Yuri V. Kovalev: An Anthology of Chartist Literature. Moscow 1956
- 27) Cyril Pearl: Always morning. The life of Richard Henry "Orion" Horne. Melbourne 1960
- 28) Ray Watkinson: Thomas Bewick, 1753-1828: Artist, Naturalist & Radical (Our History Pamphlet No. 25). London 1962
- 29) Edward Palmer Thompson: The Making of the English Working Class. London 1963
- 30) Ann Blainey: The Farthing Poet. A Biography of Richard Hengist Horne, 1802 - 1884. A lesser Literary Lion. London 1968
- 31) Deborah Dorfman: Blake in the 19th Century. His Reputation as a Poet from Gilchrist to Yeats. New Haven 1969.
- 32) Donald Drew Egbert: Social Radicalism and the Arts. Western Europe. A Cultural History from the French Revolution to 1968. New York 1970
- 33) Francis Barrymore Smith: Radical Artisan. W. J. Linton 1812-97, Manchester 1973
- 34) Geoffrey Wakeman: Victorian Book Illustration. Detroit 1973
- 35) Stanley Harrison: Poor Menâ??s Guardians. A Record of the Struggles for a Democratic Newspaper Press, 1763-1973. London 1974
- 36) Edward Royle: Victorian Infidels: The Origins of the British Secularist Movement, 1791-1866. Manchester 1974
- 37) Martha Vicinus: The Industrial Muse: A Study of Nineteenth Century British Working Class Literature. London 1974
- 38) Estelle Jussim: Visual Communication and the Graphic Arts: Photographic Technologies in the Nineteenth Century. New York - London 1974 / 1982
- 39) John Lucas ed.: Literature and Politics in the Nineteenth Century. Essays. London 1975
- 40) William James Linton / Nancy Carlson Schrock ed.: American Wood Engraving, a Victorian History by William James Linton, New York, 1882. Reprint: New York 1975
- 41) Albert Garret: A History of British Wood Engraving. Speldhurst 1978
- 42) Susan Otis Thompson: American Book Design and William Morris, New York / London 1977
- 43) Phyllis Mary Ashraf: Introduction to working class literature in Great Britain. Part I and II. Oberlungwitz 1978
- 44) Phyllis Mary Ashraf: Englische Arbeiterliteratur vom 18. Jahrhundert bis zum ersten Weltkrieg. Entwicklungstendenzen im Ã?berblick. Berlin - Weimar 1980
- 45) Eric de Maré: The Victorian Woodblock Illustrators. London 1980
- 46) Robert N. Essick: William Blake. Printmaker. Princeton 1980
- 47) Robert F. Gleckner: W.J. Linton, a Latter-day Blake. in: Bulletin of research in the humanities. Vol. 85. New York 1982
- 48) Horst Roe�ler: Literatur und Arbeiterbewegung. Studien zur Literaturkritik und frühen Prosa des Chartismus. (=Bremer Beiträge zur Literatur- und Ideologiegeschichte Bd. 1). Frankfurt / M 1985
- 49) Ian Hamilton Finlay with Kathleen Lindsley: Jacobin Definitions. Little Sparta 1991
- 50) Brian Maidment: The Poorhouse Fugitives. Self-Taught Poets and Poetry in Victorian Britain. Manchester 1992
- 51) Isobel Armstrong: Victorian Poetry: Poetry, Poets and Politics. London 1993
- 52) Denis Mack Smith: Mazzini. New Haven and London 1994
- 53) Doris Bickford-Swarthout: Mary Hallock Foote: Pioneer Woman Illustrator. Deansboro 1996
- 54) Sue Rainey: Creating â??Picturesque America.â? Monument to the Natural and Cultural Landscape. Nashville / London 1994
- 55) Anne F. Janowitz: Lyric and Labour in the Romantic Tradition. Cambridge 1998
- 56) Michael Scrivener: Seditious Allegories. John Thelwall & Jacobin Writing. Pennsylvania 2001
- 57) Remi Blachon: La Gravure sur bois au XIXe Siècle. L´age du bois debout. Paris 2001
- 58) Shirley Dent & Jason Whittaker: Radical Blake: Influence and Afterlife from 1827. London - New York 2002
- 59) Ian Haywood: The Revolution in Popular Literature. Print, Politics and The People, 1790 â?? 1860. Oxford 2004
- 60) Stephanie Kuduk Weiner: Republican Politics and English Poetry, 1789-1874. New York 2005
- 61) Joan Allen / Owen R. Ashton: Papers for the People: A Study of the Chartist Press. London 2005
- 62) Josuah Brown: Beyond the Lines. Pictorial Reporting, Everyday Life, and the Crises of Gilded Age America. California 2006
- 63) Salvo Mastellone ed.: Mazzini e Linton. Una democrazia europea. Firenze 2007
- 64) Christopher Alan Bayly, Eugenio F. Biagini ed.: Giuseppe Mazzini and the Globalization of Democratic Nationalism, 1830-1920. Oxford 2008
- 65) Gerry Beegan: The Mass Image: A Social History of Photomechanical Reproduction in Victorian London. Houndsmills / New York 2008
- 66) William H. Brandt: Interpretive Wood-Engraving: The Story of the Society of American Wood-Engravers. New Castle, Delaware. 2009
- 67) Thomas Ketelsen, Alexander Roob ed.: Zur Hölle mit der Linie. Die Fotografik der New School of Wood Engraving Cologne 2012
